Giant sequoia timber

Giant sequoia timber

The Giant Sequoia Timber Project is an initiative from the City of Hobart's Parks and Creative City teams.

It followed the removal of the iconic giant sequoia trees from the St David's Park and the elm from Franklin Square. The two giant sequoias fell into decline in 2025 and were removed from St David's Park after repeated attempts to revive them failed.

The community were invited to reimagine these significant timbers through:

  • art
  • design
  • cultural projects
  • education
  • research
  • community initiatives.

The response was exceptional, with more than 60 applications received. Applications came from artists, makers, schools, researchers, community organisations and cultural institutions.

Following assessment, 25 projects have been selected to receive timber allocations. These reflect the creativity, skill and diversity of Tasmania's community.

Successful projects

Sequoia Timber in Tasmanian Design Practice

Who: Design Tasmania

Timber distributed to emerging makers through the Tasmania Makes program for new works and exhibitions.

Cracked Log Lights – Sequoias Edition

Who: Duncan Meerding

Sculptural lighting works ranging from intimate lamps to large-scale installations.

Relief Print of Growth Rings with Coordinates from Place

Who: David Aldous

Limited-edition prints created directly from the tree's growth rings.

Dynamic Outdoor Seating for Students, Staff and Community

Who: The Friends' School

Student-designed outdoor seating celebrating sustainability and craftsmanship.

Risdon Prison Sequoia Project

Who: Tasmanian Prison Service

Timber projects providing valuable vocational training and rehabilitation opportunities for inmates while creating community assets.

Nipaluna Nita Cultural Creations

Who: Marcus Jennings

Aboriginal cultural objects including clapsticks, spears, coolamons and traditional artworks.

Play Related Sculpture or Furniture

Who: Paul Whelan

Public play sculptures, seating and interactive landscape elements for community spaces.

Picnic Tables

Who: Elizabeth College

Picnic tables built by construction students, creating practical community assets.

Musical Instruments

Who: Adam Edwards

Handcrafted musical instruments that celebrate the trees through performance and music.

The Elm That Watched Us Grow

Who: Mathew Forster

A handcrafted community table for Bruny Island District School.

Defence Veterans Wellbeing

Who: Defence and Veterans Workshop

Timber projects supporting wellbeing, connection and skill development for veterans.

The Constitutional Collection

Who: Bence Mulcahy Architects, Van Tuil Design Studio and The Supreme Courts of Tasmania

Civic furniture and lecterns for Tasmania's Parliament and Supreme Court.

Play Stools

Who: Thomas Friend

Sculptural stools for Lady Gowrie Child Care Centre inspired by Play School window shapes.

Tasmanian Puppet Portraits in 5 Dimensions

Who: Tania Heideman

Carved puppet portraits for storytelling, performance and community engagement.

Memory Shelves

Who: Kris Erskine

Participatory memory shelves inviting the public to share stories and photographs.

Sailing Trophies / Boat Shed Projects

Who: Derwent Sailing Squadron

Trophies and commemorative pieces celebrating Tasmania's maritime community.

Jewellery Works

Who: Jai Hay Jeweller

A limited-edition collection of jewellery and keepsakes crafted from the timber.

Portable Monument No. 2 – Sequoia

Who: Emma Bugg

Contemporary jewellery exploring memory, place and conservation.

Why Neville Shot Gus Book Cover Artefacts

Who: Leisha Owen

Hand-carved timber interpretations of the novel connected to the trees' story.

2028 Australian National Band Championships

Who: Damian Jones

Trophies and commemorative items for a major national music event.

Scientific Research into Radiocarbon in Tasmanian Tree Rings

Who: Quan Hua

Research into atmospheric radiocarbon using a section of the Giant Sequoia.

Painting Project

Who: Hamish Hall

A major painting documenting the felling of the Giant Sequoia.

Sequoia Tables – Hospitality Classroom at Claremont College

Who: Chris Edwards

Hospitality classroom table engaging students and showcasing the cultural, educational, and community value of the timber.

Reference Material

Who: Steve Harris

Functional record players exploring the relationship between timber and sound.

Artistic Bowls and Lamps

Who: Callum Murphy

A collection of sculptural bowls and lamps, including a major work for public display.

Over the coming months and years, these projects will ensure the legacy of Hobart's Giant Sequoia and elm trees lives on.

A catalogue of the timber can be viewed below.

Giant sequoias - EOI catalogue(PDF, 12MB)

About the giant sequoias

The giant sequoia (Sequoiadendron giganteum) is a tree species with a deep cultural legacy. Native to America, it is named Sequoya after a Cherokee chief. Giant sequoias can live for thousands of years.

The trees are listed on the National Trust Register as specimens of State Significance.

Find out more about these trees and their story:

Giant sequoias in St David's Park

We acknowledge the significance of the sequoia tree species to First Nations people from where these trees are from and seek to honour the lives of these trees by repurposing every piece of wood.

These trees have witnessed a changing landscape as Nipaluna (Hobart) has grown around them, carrying stories from other places that connect with us here. We acknowledge our city, and the trees that grow within it, is all part of Nipaluna, Palawa Country.

Lutruwita (Tasmania) is known for its artists and designers, and there are many skilled makers across these islands who create beautiful objects and artworks from the wood grown across the state.

The wood from these giant sequoias ranges from deep red to earthy pinks and pale yellows. It was historically used for its resistance to fire and rot.

This project represents a rare opportunity for artists, designers and makers in Lutruwita (Tasmania) to access large, whole unmilled pieces of wood and a range of character filled branches for free to use in ambitious creative and community projects.

For makers who prefer to work with milled wood, we have included a store of milled elm timber from a mature tree in Franklin Square that was sadly vandalised and subsequently removed in 2005. The wood from the tree was milled and has been stacked and stored undercover since this time.